Review: "Godzilla"

I saw a picture of one of those digital signs above a multiplex auditorium door that announces the title and show time: "GODZILLA - In IMAX" and under that, a very funny sign programmer added "Now with 100% Less Matthew Broderick." And thank goodness!

Fellow Kaiju fans, wipe the stench of Roland Emmerich's 1998 fiasco of a remake from your noses forever. Dry the disappointed tears of Guillermo del Toro's Pacific Rim from your eyes. Director Gareth Edwards (2010's indie fave, Monsters) and his team have crafted the modern Godzilla movie true Godzilla fans have been waiting for.

Writers Max Borenstein and David Callahan (The Expendables films) wisely don't try to give us an origin story and assume the events of 1954's Gojira did take place. 15 years after a catastrophic accident at a Japanese nuclear plant kills his wife n 1999 (not really a spoiler as that's part of the prologue), the plant's engineer Joe Brody (Bryan Cranston) is arrested for trespassing in the contaminated area, still looking for answers. When son Ford (Kick-Ass star Aaron Taylor-Johnson) arrives to bail him out, Joe convinces him the site is experiencing the same type of disturbances that preceded the last accident. Of course, his warnings come too late for Dr. Ichiro Serizowa (Ken Watanabe) to prevent the birth of an insectoid behemoth they soon dub a M.U.T.O. (Massive Unidentified Target Organism). Think of a cross between a praying mantis, a bat and steam shovel. When the MUTO's mate hatches in Nevada (it makes sense, trust me) their meeting place is apparently San Francisco, where Ford has just left his wife (Elizabeth Olsen) and young son. 

When the King of Monsters does show up, the Army drafts a plan to draw all three radiation-hungry monsters out to sea and blow them up, despite Serizowa's insistence that Godzilla has come to kill the MUTOs and restore nature's balance. There is, as in every great Kaiju movie, massive destruction (though this time it's Honolulu, Las Vegas and San Francisco that take the beatings) and an intense battle between three super-gigantic (Big G is at least 10 times his original size) monsters, two of whom should have known better. What little plot there is, mostly revolves around Ford trying to both save the world and get home to his family. Everyone seems to be having a grand time, despite the hyperbolic circumstances of the story. Cranston is as wonderful as always, while Juliette Binoche is wasted in a what amounts to a cameo as Joe's wife. But this is Taylor-Johnson's movie, and his beautiful green eyes (the same shade as my mother's) don't make up for the fact that he never takes his shirt off. Seriously though, it's nice to see an action hero outside of a Marvel movie who can actually act, despite not being given much more than genre tropes with which to work (not that those tropes don't serve the film - they are actually de rigeur.

The CGI is just terrific and the astonishing score by the prolific Alexandre Desplat really works to help Edwards paint moments of nearly silent terror in what could have been an ear-splittingly loud movie from start to finish (far from it). Expect Oscar noms for Sound, Sound Editing and Sound Effects on top of those for Special Visual Effects and Cinematography. My companion specifically requested that we not see it in 3D (his eyes are worse than mine) and I didn't miss it, per se, though I think I really need to see it again in 3D for the fullest effect.

For my first big Tent-Pole of the season, Godzilla  really had the potential to go either way. Thankfully it totally went the right way! Do yourselves a favor and see Godzilla on the big screen in a theater with a good sound system. **** (Four Out of Four Stars). Godzilla is rated PG-13 for "intense sequences of destruction, mayhem and creature violence."

I must admit, Godzilla was a very happy cap to Uncle P's most excellent weekend. It started with a completely painless purchase of a new washing machine (finally and thank His Noodly Appendages) at h.h.gregg. If you don't have them where you live, write them and ask them to open a store near you (that is a rare and completely unsolicited endorsement -- I have found that major appliance purchases are often painful, drawn-out affairs, but they were terrific). I then celebrated the last trip to the laundromat I ever want to take. That same evening, my dear K, who has been in a show for what seemed like forever, came over for cheese-steaks; "Will and Grace;" "Grimm;" "Face-Off" and Yahtzee! (I kicked her butt!) Today, after a thorough dusting, I made a very successful and yummy batch of mozzarella-stuffed meatballs and sauce for dinner and then met M for a terrifically fun movie! It's the little things... life finally seems to be getting back to (or gaining a new version of) some semblance of 'normal' in my life. That's a very good thing.

More, anon.

Prospero

TV Review: The Best of 2014 So Far

NBC's "Hannibal"

Some TV is so, so very good these days, especially for genre fans. And while I'm sad to see my beloved "Warehouse 13" come to a close (I was sadder about "Fringe," to be honest), I am happy to report that the envelope continues to be pushed by both brave network programmers and smart basic-cable presidents. The success of the most popular cable program of all time (do I need to spell it out?) on AMC seems to have inspired the competition.

NBC airs both it's best genre shows on Friday, traditionally a dumping ground for shows on the bubble. Still, "Grimm" and "Hannibal" are both fascinating and well-produced, which has made them "Must See TV," while holding their own in the ratings. The humor in "Grimm" makes it fun, while the exceptional art direction; bizarre, hallucinogenic dreams and the amazing cast of "Hannibal" make it so hypnotic. 

The picture above was found by a Facebook friend; a graphic artist who primarily creates Sci-Fi & Fantasy art for any number of clients. It is a picture of a meal Lecter made in season one. Click on it to make it bigger and really look at it. Do you see it? Top center of the plate, among the garnishes. Yes, that's a bird's skull. And don't the cheese and fruit slices look like a body with feathery greens for wings and pea pod legs? Oh, to be a food stylist on that crew! Now I have to go back and just look at pictures of the food. As they say, the devil's in the details. With just a few more episodes left of each show this season, I'm glad so many summer shows are coming back. Not to mention this Sunday's premiere of "Penny Dreadful."

This week also saw the season finale of A&E's "Bates Motel," and what a finale it was! SPOILERS AHEAD Now that the prolonged pot-wars plot of the modern reboot seems to have finally (albeit quite conveniently) played out, it looks like we can finally focus on Norman and his particular psychosis... Vera Farmiga continues to give television's best performance (sorry Jessica) and the amazing young Freddy Highmore matches her note-for-note. The final shot of the finale literally sent chills down my spine as we finally met the Norman Bates we've all come to know and love. 

Truth be told, the best show on TV right now is also the best new show, FX's astonishing "Fargo." I know I've already reviewed it, but four episodes in and it just gets better and better. Showrunner and writer Noah Hawley ("Bones") says that the Coen Brothers are hands-off, but you can tell everyone involved is all about making a show the Coens would make. Set in the same universe as the 1996 film, until this week's episode, it was only marginally connected. SPOILERS AHEAD The episode started with a flashback to young Stavros Milos moving his family to Minnesota out of desperation. After running out gas in the middle of nowhere and being nearly run over by an 18-wheeler, Stavros prays to God for help and promises to serve Him all his life. When he looks up, he sees a red snow scraper in snow along the fence in front of him. He begins to dig and finds... the money buried by Carl (Steve Buscemi) in the movie. As in the film, the cast of "Fargo" is incredible. Billy Bob Thornton is both terrifying and hilarious while Martin Freeman ("Sherlock;" The Hobbit) is astonishing as the poor schmuck who becomes a most unlikely villain. Alison Tolman ("Sordid Lives") gives a star-making turn as a frustrated young deputy thwarted by an incompetent chief (Bob Odenkirk) at every step. Colin Hanks; Kate Walsh; Adam Goldberg and Oliver Platt all lend stellar performances in this quirky, creepy, violent and exceptionally funny show.

 

Next up: The Worst TV of 2014 So Far.

More, anon.
Prospero

I. Can't. Wait.

Click Image to Enlarge

FOX's "Sleepy Hollow" was a happy surprise for both myself and many people I know, and while I am looking forward to several other new shows this season there are a few returning favorites that have me absolutely chomping at the bit to see. 

First up is Ryan Murphy's amazingly-creative-and-creepy television experiment's third season which starts on October 9th. "American Horror Story: Coven." is set in both contemporary New Orleans and Historical Salem, exploring yet another Horror trope with what looks like another season of amazing; puzzling; creepy; original and arresting visuals, story lines, characters and performances from a cast that makes me just a little more excited than a man my age should ever get over a TV show. Returning are the astonishing Jessica Lange; Lily Rabe; Francis Conroy; Taissa Farmiga; Sarah Paulson and Evan Peters. And joining them are some powerhouse talents: Angela Bassett; Kathy Bates (!!); Christine Ebersole (!!) Emma Roberts; Danny Houston (!!) and Pattie effng Lupone (!!!!!). Add a war between Good & Evil Witches to the potential for exponential insanity and you have yourself what has so far been one of the best and most provocative genre series, ever.

Here are all seven Season 3 teasers:



And the first Season 3 promo with dialog, "School:"

And I don't think I need to say how much I am anticipating the Season Four premiere of AMC's "The Walking Dead" (the producers of which just announced a spin-off - oh, excuse me: "Companion" series - for 2014). While I will happily admit that Season Three was better than Season Two, neither was as good as the amazing Season One.It seems like the producers are listening to the fans and upped the ante this season. My mother is actually antsy for it's return.

NBC's dark-humored fantasy "Grimm" ended with our beautiful intrepid hero zombified while in the clutches of a voodoo priest. A co-worker whom I truly adore watches because her husband watches and calls it "The Grimm." It's another show Mom surprisingly loves - and I love that she's finally come to appreciate quality genre works. She was a huge "Fringe" and "Lost" fan and I'm so glad she's expanded her horizons. We know Nick is going to escape and recover from whatever Baron Samedi has done to him, but that's hardly the point. It's clever and campy and imaginative with a terrific ensemble cast and usually well-executed (and often hilarious) CGI transformation FX. But like any good show, story is king and the mythology is both well-constructed and unfolding in a way that makes complete sense. But most importantly, "Grimm" never takes itself too seriously, which helps to make it both endearing and interesting.

Outside of Genre shows, I am also looking forward to the return of CBS's Law and Politics drama, "The Good Wife." Another dream cast of exceptionally talented actors and a brilliant writing team make "The Good Wife" so worth DVR'ing. 

There are a few others I'm looking forward to seeing return and at least one or three I don't understand why they are returning at all. There are also lots of new shows this season that I'll write about the next time I write about TV (which will probably be soon).

In the meantime, what shows are you excited to see returning this fall?

More, anon.

Prospero

8 Sundays

That's right. There are only two months to go before the return of television's most audacious drama "The Walking Dead." Immeasurably better than Season 2, Season 3 ended with the defeat of  the Governor; the death of Andrea (as much as I hated what she had become as a character, I still hated that she went, as well as how. Andrea was once much smarter than that); the death of Lori (happy the idiot is gone, but sad for Rick and the baby); the death and reanimation and destruction (at the hands of his own brother) of Merle and the incorporation of the survivors from Woodbury into the prison. Every single character was tested last season. Not all of them passed.

The teasers and interviews and con panels all promise not only deadlier (faster? hungrier?) Walkers but a new threat that is neither human nor Walker. Huh? I'm guessing the return of bubonic plague. Or cholera. Or maybe the whole thing will turn out to a live-action version of 'Oregon Trail' and they'll all die of dysentery. 

Regular readers know that "The Walking Dead" is one of my Malaprop Mom's favorite shows, hooked when I basically told her she had to watch the pilot when I re-watched it on DVR the next day. This helped open the floodgates, paving the way for "Falling Skies" and "Grimm" (all of which have some very interesting characters who grow and change with the plot lines). 

An acquaintance, who shall remain unnamed and only somewhat shamed, told me thought the failure of World War Z meant the end of the genre. I laughed and pointed toward not only the unprecedented success of "The Walking Dead," but any number of other upcoming zombie projects. World War Z failed for the same reasons most of this summer's movies failed: Lack of story and characters no one cares about. And I've always thought adapting Brooks' rather clinical novel was an exercise in futility. The ravenous flesh-eating 'Romero' zombie will be around as long as horror movies, doing what horror movies do best: remind us of how much worse our lives could be. Oh, glorious schadenfreude! And maybe too, they remind us to not let ourselves go dead inside, something too many people seem to do these days.

Uncle P and more than a few people he knows are all chomping at the bit, counting down to the big chow-down on October 13th. The official trailer (which I'm too lazy to bother checking to see if I've posted it before, so I'm posting it anyway) is pretty intense.

What did Tyreese see? And while Big Spot! may be a thinly disguised version of Big!Lots, I imagine those would probably be among the last stores looted along with any number of dollar stores. And who are all these new former Woodburians? Are the Walkers getting smarter, or just hungrier? Won't the Walkers just eventually rot away? Honestly, I'm just looking for a rousing and exciting season to rival Season 1. Here's a little bit of behind-the-scenes with cast commentary:

More, anon.

Prospero

TV Review: "Grimm"

Last Sunday saw the premiere of ABC's supremely silly fairy-tale drama "Once Upon a Time." Last night, NBC unveiled their rival series, "Grimm." I wasn't particularly optimistic about it, but I'm happy to report that "Grimm" is probably a thousand times better. 

Nick Burkhardt (the ridiculously handsome David Giuntoli) is a homicide detective in a small, though scenic Oregon town. When the torn-apart corpse of a young college student is found in the woods, Nick and his partner Hank (Russell Hornsby) are called in to investigate. Nick has just bought a ring with which he hopes to propose to his girlfriend Juliette (Bitsie Tulloch, best known from the 'LonelyGirl15' web hoax). But he's begun to see some rather odd things. A beautiful blonde walking down the street morphs into a demonic creature and a suspect at the station appears to some sort of reptilian monster. When Nick's Aunt Marie (Kate Burton) shows up, she tells him that his life is about to change and they are attacked by a monster whom Nick shoots. Marie, close to death, gives Nick a locket she says he must never lose. Later, she reveals that he is one of the last of the Grimms, destined to protect the world from horrors they think are fairy tales. But she lapses into a coma before she can tell him more. Searching the trailer Marie drove to his house, Nick finds an arsenal of medieval weapons and an old book filled with illustrations of strange creatures.

Meanwhile, a little girl wearing a red sweatshirt (like the dead coed) has gone missing. Thinking he's found his suspect, Nick accuses 'Butblad" (a Big Bad Wolf) Eddie (Silas Weir Mitchell). Eddie soon becomes Nick's ally and together they track down the real culprit, a fellow Butblad and mailman ("Monk" alum Tim Bagley).

A combination of horror, fantasy and police procedural, "Grimm" is much more fun than "Once Upon a Time." The writing (at least in the pilot) is crisp and fun, while the Oregon locations are stunningly beautiful. Giuntoli is fine as the young cop discovering a mysterious family secret and Mitchell is down right hilarious as a monster trying to 'go straight.' Recent "Warehouse 13" bad guy Sasha Roiz is on hand as the apparently evil Police Chief and Drag Me to Hell's Reggie Lee is a clueless beat cop. As with any pilot, the first episode of "Grimm" had a lot of information to throw at us, but I think that given time, the show's mythology will pay off in an intriguing and original series that will outlast it's competitor simply by being smarter, darker, funnier and much more intelligent. *** (Three Out of Four Stars).

More, anon.
Prospero