My Guilty TV Pleasure

Nick Cannon Pranks the Judges

The recorded episodes of my Reality TV guilty pleasure are over for the season. The top 47 of 48 acts have been chosen for the remaining live shows of "America's Got Talent" at Radio City Music Hall (the 48th is still being voted on, online). You can read the full list here, if care to see it. And while it's still early enough that I don't yet have a 100% favorite, I was pleased to see several of my favorites are going into the live rounds at Radio City. I was also sad to see a few favorites not make it. And a couple I'm still not sure about.

Of the male singers to make it through, Miguel Dakota is both talented and adorable. If he would only ditch the stupid knit hat.

On female singers, I'm torn, though I am so pleased that quirky, beautiful and talented Emily West (which also happens to the name of a very talented actor I am lucky enough to have directed).

Damn! That performance was so hot, even I'M turned on! Ms West, regardless of the outcome, is about to become a star!

Magicians are a harder call. Remember, a ventriloquist has won AGT, but a magician has never made it into the finals. Could this be the year? There are several exceptional close-up magicians this year and I am torn:

Musicians and bands? Emil and Dariel are amazing, but I take umbrage at the judge's claims of originality and can't believe that none of them have seen a video of my Croatian hotties Luka and Stjepan of 2Cellos. Personally, I adore the adorable Wills Clan. They are a 21st Century American Von Trapp Family!

Dancers are an easy choice this season. Blue Journey took something we've seen plenty of (dance, shadows, projection) and did something completely new and amazing and totally deserved to be put through before "judgment week."

Kids acts (despite Season 1, when the show was still finding it's feet) don't generally win, though at least one (Jackie Evancho, anyone?) has gone on to a professional career. This year I am loving unassuming Broadway belter Mara Justine. I've never heard a white girl pull this off:

And my life-long love of circus and variety also has me torn between Valo and Bobby:



Or who I think will end up being my favorite until he's booted, the exceptionally adorable Christian Stoinev:

That body! That smile! That strength! That dog!

There are some serious contenders this year and I can't wait to be able to start voting. Do you watch AGT? Who is/are your favorite(s) this season? Oh, and if you haven't seen it, the photo above is from a brilliant prank AGT's producers and host Nick Cannon pulled off on judges, Howard Stern, Heidi Klum, Mel B and Howie Mandel:

I do so love this show, as much as I am loathe to admit it.

More, anon,
Prospero

Retro Review: "Frozen"

Okay - since it's been so long and everyone else in the world but M and I have already seen it, I will not be giving any spoiler warnings in this review. And you also need to know that Uncle P is a formerly voracious reader...

The weather this holiday weekend has been exceptionally spectacular in Bucks, and we have enjoyed a sunny, low humidity and comfortably temperate 3  days. Now that Dear D has installed the new bannister in Uncle P's house, more progress can be made towards what will undoubtedly be a post in the near future. I promise. 

Anyway, on Friday I watched TV and grilled some dogs. It was a holiday and I wasn't going to waste it on chores (though I did so a small load of laundry, to be ahead for  the rest of the weekend). Yesterday I dusted, cleaned Skye's cage; ran my amazing new Samsung vacuum and almost completed hanging shelves and a few art pieces (really, only minor adjustments are needed). I had also planned to take myself to see M's celebrity look-alike in "Deliver Us from Evil" sometime over the weekend. But the weather on Saturday, while breezy, just made me want to sit out side and finish the novel ("Dr. Sleep" by Stephen King - his brilliant 35-years-later sequel to "The Shining") I am almost embarrassed to admit took me 6 months to read. I used to read at least two or three novels a week.The first time I read "Carrie," I read it in a single afternoon.  Now I'm lucky if I read one or two a year. I blame the Internet. But none of that has anything to do with M calling me up to invite me to his house for dinner. Had I gone to the movies, I would have missed his call and eventually the chance to see Frozen with someone else who had never seen it.

So- Elsa and Anna are princesses in a mythical Nordic country and Elsa is born with magical powers over snow and ice. While playing, Elsa accidentally hurts Anna and their parents take Anna to the trolls, who magically erase all memories of Elsa's powers from her mind. To avoid further accidents, it is decided that Elsa must avoid Anna at all cost. Years later, as Elsa ascends the the thrown, Anna unwittingly releases the powers that Elsa has so long tried to hide, turning the country's citizens against her for sorcery. Very loosely based on Hans Christian Andersen's story "The Snow Queen," Frozen is almost disturbingly rife with Disney Princess tropes, despite every obvious effort to avoid them. That's not saying that Frozen is bad. Far from it. It was gorgeous on a 60" flat-screen TV. I can imagine how much more so on a giant movie screen. The digital imagery is nothing less than gorgeous. And I totally get why Jennifer Lee made the changes to Andersen's original (Hell - the Little Mermaid kills herself at the end of his version). I just wish she hadn't done so, so predictably. There is hardly a single surprise in the plot, but it's a flaw most critics seemed to have ignored.

Beside the often stunning artwork, the voice performances are rather amazing, with some very catchy tunes from Christophe Beck (who I must assume wrote the often clever lyrics, since IMDb doesn't credit anyone for them). While no one can belt out an "I'm Coming Out" show-stopper anthem like Idina Menzel does with the ubiquitous "Let It Go," this is Kristen Bell's, Josh Gad's and openly gay  Jonathan Groff's movie, all the way. They are all joined by some of my personal personal favorites, including Alan Tudyk (whom M identified before I could); Edie McClurg (a favorite of my sister's and mine since Letterman's daytime show) and "Futurama" star Maurice LaMarche, 

Yes, yes. I get why "Let It Go" has become a sort of gay-anthem. And now I understand why the so-called 'Christian Right' have reacted the same way they did to Harry Potter, but Frozen is undoubtedly the best CGI film out of Disney Studios to date, despite having a "let's-throw-everything-up-on-the-wall-and-see-what-stcks" screenplay. *** (Three out of Four Stars).

More, anon.
Prosepro

Memorial Day Retro Review X 4 or: How I Got Netflix Back

Insidious: Chapter 2

Thankfully, among the many things my amazing sister did for me, was help an electronically-challenged old fart reset his Wii, which got me back to Netflix, where I caught two of the four movies I finally got to see in between visits and the work they did.

The first was last year's Steve Carrell box-office failure comedy The Incredible Burt Wonderstone, a movie from which I think most people expected too much. And while it fails at being the Anchorman of magician movies, it succeeds quite well on smaller levels. Burt (Carrell) and Anton (Steve Buscemi) have been best friends and magical partners since they were bullied 5th graders. Ten years after signing a multi-million dollar contract to headline at hotelier Doug Munny's (get it?) new Vegas hotel, they have done the same tired show thousands of times and have been reduced to bickering strangers thanks to Burt's full-on Diva mode. In comes Criss Angel-inspired Steve Grey (a VERY in-shape Jim Carrey), who is clearly insane, and suddenly ticket sales for Burt & Anton are falling. At the urging of Munny (the late, great James Gandolfini in one of his last roles), the two try a spectacular new stunt, which goes immediately awry and splits the pair for good. Alan Arkin plays Burt's childhood hero as his patently crotchety old man, but it serves the role well and Olivia Wilde is the perfect foil for Carrell's antics as stage-hand-turned-assistant, Jane. Of course, the eventual romance between the two was telegraphed well into the first act, but was still completely unconvincing. One of my favorite character actors - Jay Mohr - has a supporting role of a fellow magician with the hilariously unlikely name of 'Rick the Implausible.' What struck me most about this movie was it's heart. You could tell it was made with love by people who believed in it, and it actually is a sweet story of friendship and redemption, the last act is so ridiculous as to make what's come before, meaningless. I went in with lowered expectations and came out surprised by it's goofy sweetness. ** 1/2 (Two and a Half Stars Out of Four). The Incredible Burt Wonderstone currently playing on Showtime.

Next up was Insidious: Chapter 2 on Netflix. I was very much a fan of the first film, but missed it's sequel's theatrical release and was excited to return to the creepy realm created by Leigh Whannell and James Wan in the first film. The original cast is back, though it was odd hearing Lin Shaye's voice coming out of the mouth of  'young-alike' actor Linsey Seim. Whannell's script goes a long to explaining why the events of the first film happened, though oddly giving the explanation an exceptionally Freudian twist (though the Mama in this movie puts the 'batsh*t' in 'batsh*t crazy.'

Performances are fine, across the board though it is apparent that Wan has lost his taste for horror (he has announced that he is through with the genre) and the sequel lacks the intense creep factor of the original. ** (Two Out of Four Stars)

Showtime again  for 2012's The Watch. Originally titled Neighborhood Watch, the title was changed after the shooting of Trayvon Martin in Florida. Ben Stiller, Vince Vaughn, Jonah Hill and Richard Ayoade form a Neighborhood Watch after Stiller's co-worker is found murdered at the Costco he manages. What follows is a weird mash-up of Science Fiction; buddy comedy and a d*ck joke every two to three minutes. Sadly, none of it works. That's not surprising since it's directed by former SNL writer/director Akiva Schaffer. The movie plays like an extended SNL skit with a fertility issues subplot that has little to do with the impending alien invasion they uncover. Nothing new. No surprises. Lots and lots and lots of d*ck jokes. I must admit to chuckling once or twice, but hardly enough to recommend The Watch. (Zero Out of Four Stars).

Finally and quite happily, the last movie I watched this weekend was also the best. Worst Best Movie is a very heartwarming documentary I've been wanting to see for the past five years, about the cult-status surrounding the 1990 horror movie Troll 2, which many believe is the Worst Movie Ever Made. I've seen Troll 2, several times. I agree that it is terrible beyond terrible, but fully understand it's watchability. Seeing the cast (most of whom were embarrassed to have been in the film) get their moments in the sun is quite fun and even inspiring, despite the obvious mental decline of one its members. I've been reading about Worst Best Movie for a long time and am very glad that I finally got to see it. If you haven't, you should! Nilbog! **** (Four Out of Four Stars). 

I. Can't. Wait.

Click Image to Enlarge

FOX's "Sleepy Hollow" was a happy surprise for both myself and many people I know, and while I am looking forward to several other new shows this season there are a few returning favorites that have me absolutely chomping at the bit to see. 

First up is Ryan Murphy's amazingly-creative-and-creepy television experiment's third season which starts on October 9th. "American Horror Story: Coven." is set in both contemporary New Orleans and Historical Salem, exploring yet another Horror trope with what looks like another season of amazing; puzzling; creepy; original and arresting visuals, story lines, characters and performances from a cast that makes me just a little more excited than a man my age should ever get over a TV show. Returning are the astonishing Jessica Lange; Lily Rabe; Francis Conroy; Taissa Farmiga; Sarah Paulson and Evan Peters. And joining them are some powerhouse talents: Angela Bassett; Kathy Bates (!!); Christine Ebersole (!!) Emma Roberts; Danny Houston (!!) and Pattie effng Lupone (!!!!!). Add a war between Good & Evil Witches to the potential for exponential insanity and you have yourself what has so far been one of the best and most provocative genre series, ever.

Here are all seven Season 3 teasers:



And the first Season 3 promo with dialog, "School:"

And I don't think I need to say how much I am anticipating the Season Four premiere of AMC's "The Walking Dead" (the producers of which just announced a spin-off - oh, excuse me: "Companion" series - for 2014). While I will happily admit that Season Three was better than Season Two, neither was as good as the amazing Season One.It seems like the producers are listening to the fans and upped the ante this season. My mother is actually antsy for it's return.

NBC's dark-humored fantasy "Grimm" ended with our beautiful intrepid hero zombified while in the clutches of a voodoo priest. A co-worker whom I truly adore watches because her husband watches and calls it "The Grimm." It's another show Mom surprisingly loves - and I love that she's finally come to appreciate quality genre works. She was a huge "Fringe" and "Lost" fan and I'm so glad she's expanded her horizons. We know Nick is going to escape and recover from whatever Baron Samedi has done to him, but that's hardly the point. It's clever and campy and imaginative with a terrific ensemble cast and usually well-executed (and often hilarious) CGI transformation FX. But like any good show, story is king and the mythology is both well-constructed and unfolding in a way that makes complete sense. But most importantly, "Grimm" never takes itself too seriously, which helps to make it both endearing and interesting.

Outside of Genre shows, I am also looking forward to the return of CBS's Law and Politics drama, "The Good Wife." Another dream cast of exceptionally talented actors and a brilliant writing team make "The Good Wife" so worth DVR'ing. 

There are a few others I'm looking forward to seeing return and at least one or three I don't understand why they are returning at all. There are also lots of new shows this season that I'll write about the next time I write about TV (which will probably be soon).

In the meantime, what shows are you excited to see returning this fall?

More, anon.

Prospero

Retro Review: "Now You See Me"

I missed Now You See Me when it was in theaters earlier this spring, though I found the concept to be fascinating. I caught it tonight OnDemand, simply because there was literally nothing else worth watching on broadcast or regular cable TV (no, I don't watch or care about "Breaking Bad" or the NFL and am not ashamed to admit it - bring on "The Walking Dead!").

Four street magicians (Jesse Eisenberg, Isla Fisher, Woody Harrelson and Dave Franco) are given Tarot cards with an invitation to meet at an NYC address by a mysterious, hooded stranger. A year later, billed as the "The Four Horsemen," they appear together at the MGM Grand in Las Vegas and pull off what appears to be a magical heist of a French bank, dispensing over 3 million Euros to the audience. Among that audience is magic debunker Thaddeus Bradley (Morgan Freeman), who has made millions exposing fraudulent magicians, starting in the 1970's with a magician who apparently died while trying to escape from a safe dumped into the East River. The four are immediately detained by the FBI, interrogated by Special Agent Dylan Rhodes (Mark Ruffalo); Agent Fuller (Michael Kelly) and Interpol Detective Alma Dray (Melanie Laurent). But with no real evidence, the four are released. Promoter Arthur Tressler (Michael Caine) follows the four to New Orleans, where they drain his bank account to enrich the victims of Katrina, much to the consternation of Rhodes and Dray. What follows is a cat-and-mouse game of deception, distraction and double crosses which kept me guessing right up to the movie's surprising end.

Director Louis Leterrier (The Incredible Hulk; Clash of the Titans) doesn't exactly have a stellar record, though he does manage to display a bit of flashy style here. The screenplay by Ed Solomon (Men in Black), Boaz Yakin (Safe) and Edward Ricourt has more than a few issues (the hooded stranger's motive is made painfully clear early on and the hokey secret society subplot is just a bit hard to swallow), but the cast's performances are earnest and it's obvious they're all having fun, especially when given some hilariously snarky dialog. And that's all this movie really asks of you - to have fun. Terrific SFX; multiple locations; an exciting car chase through Manhattan and a new twist on the heist genre are more than enough to make Now You See Me worth the 6 bucks it costs to see it OnDemand, especially if there's nothing of interest available. 

Now You See Me 2 is already rumored and I must admit I wouldn't mind spending another 2 hours with these characters. All in all, Now You See Me  is a fun and entertaining twist on the heist genre, despite some rather obvious and silly flaws. **1/2 (Two and Half Stars Out of Four).

More, anon.
Prospero