Prospero's Essential Movie Guide Part 2

Director Tod Browning

Right up there with Science Fiction, Comedy and Drama, Horror movies played as much a part of early films as they do today.

Lon Chaney, "The Man of a Thousand Faces" was THE star of silent horror and his contribution to the genre is immeasurable. I was lucky enough to attend a screening of Phantom of the Opera at the Princeton chapel (really a Cathedral) with a live organ accompaniment, using the film's original score. The organist was a true professional, never skipping a beat when almost an entire reel was accidentally replayed. Chaney made an astounding number of silent genre films, including The Hunchback of Notre Dame; He Who Gets Slapped; The Unknown; London After Midnight (directed by Browning) and two versions of The Unholy Three (the original also directed by Browning). Chaney's son, Lon Chaney, Jr. had a lucrative career playing The Wolfman in the 40's and 50's, though he never rose to the height of his father's fame.

Sadly, not much footage remains from London After Midnight:



Luckily, Browning went on to direct two of the genre's iconic films: Dracula (Uncle P's introduction to horror) and the once-banned Freaks, both of which are readily available.

Of course there are those (Uncle P included) who think the Mexican Spanish Language version of 1931's Dracula (shot at night on Browning's sets) is superior in both tone and technical fimmaking:

I'll be moving on to more "talkies" in the next installment. Again, if you've never seen these films, I urge to seek them out.

More essentials, anon.
Prospero

Prospero's Essential Movie Guide, Part I

Georges Melies - The Father of Narrative Film

Let's try this again, shall we? The original version of this post was lost to an unfortunate keystroke, which may well have been for the best. 

Anyway, a few days ago, a friend of a Facebook friend posted a list of 10 'essential' movies he thought his daughter should see. The list was made up of mostly good films, but was hardly comprehensive. And while I have no children of my own to advise about the movies that helped shape my view of the world, I thought I might like to pass on a list to my sweet Caitlin M, who loves movies, but also loves Zombies; the Cthulhu Mythos and Python. 

Of course, as I compiled my list, it grew rather unwieldy. I soon realized that I loved too many films to reduce them to a list of just 10. How can any cinephile create such a limited list? I know I couldn't possibly. And that was how my first ever series was born. Will I ever finish it? Maybe. 

Bear in mind, these the movies that inspired, excited, confounded and ignited my imagination and my personal love of film. Your list may (and probably should) vary. I've tried to keep the films in as much chronological order as possible, though I would highly recommend watching the in the groupings I have placed them (or not). I saw and shared many of these movies with my sister, who is almost as big as a cinephile as I am.

So let's get on with it, shall we? This first group of films everyone should see comes from the early days of cinema, using the technology available (some of it very clever) at the time:

Metropolis: Fritz Lang's visionary Sci-Fi classic serves as an indictment against both Mechanization and Economic Imperilaism.

Modern Times added Chaplin's silent voice to the anti-machine movement:

And Chaplin went on to create one of film's iconic sequences in The Gold Rush, using only forks and dinner rolls:

But the silent era wasn't just about fantasies and comedy. Sergei Eisenstein brought the horrors of war home with Battleship Potemkin:

Perhaps the most controversial (though well-worth seeing) film of the silent era is D.W. Griffith's 1915 film The Birth of a Nation, which depicts the KKK as the film's heroes. The Civil War was still a very sore subject in the South in 1915 and Griffith's movie was understandably popular there.

There are many more essential silent films to talk about and I will do so in the next installment. If you haven't seen these films, I suggest you seek them out.

More, anon.
Prospero