Betty White on AHS

From an offhand comment by a Facebook friend (Hi, Michelle!), came my latest 'thing.' Now hear me out on this one.

The incomparable Jessica Lange has already announced her departure from "American Horror Story," the anthology/repertory genre series that won her two Emmy Awards, after this season. 

America's Favorite Dirty Old Lady/Sweetheart has just learned that TVLand has cancelled her often quite hilarious sitcom "Hot In Cleveland." Yes, Lange has been the show's 'star,' but other company members (Sarah Paulson; Frances Conroy; Evan Peters; Lily Rabe) have been the backbones of many episodes and seasons. Who better to be the next Grand Dame of whatever nastiness Ryan Murphy and company have cooking for Season Five. It certainly wouldn't be her first foray into genre work. Remember her hilarious turn as a foul-mouthed farm widow in Lake Placid?

She'd fit right in with newer company members Kathy Bates and Angela Bassett. I can see them as some sort malevolent troika of evil... deliciously camp and sickly twisted! 

And don't forget, a similar campaign got her a particularly hilarious gig hosting "Saturday Night Live:"

She's even hosted her own (rather lame) hidden camera show, "Off Their Rockers." Think 'Punk'd" meets Cocoon.

Surely Ryan Murphy knows the value of good publicity and ratings. So I am asking you to take to Twitter and Facebook and make the hashtag #BettyWhiteOnAHS trend hard! Let's get Betty another outrageous gig!

More, anon.
Prospero

"The Walking Dead" Season Five Special Event

I am hardly surprised by the general excitement surrounding this coming Sunday night's Season 5 premiere episode of AMC's massive genre hit, "The Walking Dead." Nor am I in the least surprised by my personal excitement. The consistently excellent writing (yes, even Season 2), acting and production values on the cable original all combine for a show that (love it or hate it) will certainly go down in the annals of Television History (as long as such things exist, anyway) for so many reasons.

If you were with me back then, I would re-cap and comment on each episode during Season One and some of Two. I sort of miss doing that, but don't have the time to do so, anymore. But I still love the show and realize that Season Five is a milestone and I want to commemorate that for a couple of reasons.*

Sunday, October 12th from 9:30 PM Eastern to 11:05 PM Eastern, Uncle P will be Live Tweeting leading up to the premiere and during commercials! It will be the only episode I'll watch in real time this season (or maybe the season finale if this goes well - we'll see...). I hope I have enough to talk about! 

Don't already follow me on Twitter? You should. @Caliban761. 

*All of this, I think, is part of a new enthusiasm inspired by several recent events in Uncle P's life that are pretty much the exact opposite of the events around the same time last year (more on that in my next post). My 'New Normal' continues to become a more level and increasingly positive place that makes me want to get back to writing and expressing myself more. When I thought of doing the Live Tweet thing, I got excited about writing again and I can't wait to see what happens! Hope to see you on Twitter on Sunday night. I'll try not to be too spoilery!

More, anon.
Uncle P

TV Review: "Gotham"

I don't usually review new TV series until after the 2nd episode but every once in a while a new show comes along that hits a home run on very first up at bat. And before I go there, what regular readers are left, know that I am and have been since childhood, a MASSIVE Batman fan. Closely followed by Superman, Batman doesn't need superpowers to be a Superhero. Other DC Favorites include Wonder Woman; Aquaman (don't you dare!); Flash and to a lesser extent, Green Lantern; Green Arrow and Nightwing. When FOX first announced what appeared to be a DC Muppet Babies, I was less than impressed. It looked... unnecessary, at best. As more clips and promos began to filter across the Net, my interest was piqued, though my expectations were still rather low.

Imagine my surprise when I sat down to watch last night's pilot episode and found myself immediately immersed in and engrossed by what turns out to be not only a Batman & Villains origin story, but a gritty, dark and violent crime drama filled with intriguing glimpses of the young versions of the characters we've come to know and love. The first episode begins (not a spoiler if you know anything at all about Batman's origins) with the murder of Bruce Wayne's parents and the new detective who promises Bruce he will catch their killer, Jim Gordon (Ben McKenzie). Gordon's crooked partner Harvey Bullock (Donal Logue) is in cahoots with vicious club owner Fish Mooney (Jada Pinkett Smith) who in turn works for mob boss Carmine Falcone ("Rizzoli & Isles" and "The Wire" alum John Doman). As the investigation mounts, we're introduced to young versions of Selina "Catwoman" Kyle; Ivy "Poison Ivy" Pepper; Oswald "Penguin" Cobblepot and Edward "Riddler" Nigma.

First and foremost, kudos to Production Designer Doug Kraner, who has imagined a Gotham City for the 21st Century. Gotham City is gorgeously executed, seamlessly blending real-life New York City with his CGI rendered skyline, while managing (along with expert cinematography) to maintain the Noir atmosphere essential to the source material. Pilot director (and series producer) Danny Cannon has artfully set up what looks to be an exciting and intriguing show. Hottie McKenzie (probably best known for "The O.C.") has been around long enough to deserve the breakthrough role I hope Gordon will be for him.* Gordon is determined to clean up the corruption in Gotham and McKenzie plays him both tough and vulnerable, though it might be nice to see his softer side a little more. Logue is his usual self: slovenly and only looking out for himself, he brings an odd likeability to a completely unlikeable character. Smith is both seductive and vicious as Fish, a woman who won't blink an eye while cutting your throat. The stand-out villain this episode was Robin Lord Taylor's Cobblepot. Taylor's Penguin is madly sadistic and duplicitous and I loved him. 

If you are a Batman fan, a DC fan, a crime drama fan, a comics fan or just a fan of smart,entertaining TV, you should be watching "Gotham,' Monday nights on Fox (just before the excellent "Sleepy Hollow," which has a terrific season premiere!). **** (Four Out of Four Stars)

*If not, he should play Jeremy Renner's brother in something...

More, anon.
Prospero

Kaiju New and Old, Among Other Nonsense

One of the many things I do love 

about the Day Job is that we follow an academic schedule. If schools are closed for a holiday, we usually are, as well. This Labor Day weekend will mark the start of Hell Week for Uncle P's return to the stage for the first time since my mother passed away, "Bluebird" which also marks my debut with the Langhorne Players. I am appearing as two very different characters in Simon Stephens' fascinating 1998 play about a night in the life of a London mini-cab driver and how his various fares relate to and inform his own story. I love both characters and love that I get to do two different accents in the same show. K came over tonight to help with lines (she is half--jokingly referred to among our circle of friends as the "Line Nazi"). I came in two weeks late and while I find both characters so compelling, memorization and short rehearsal periods only work well with shows I've done before or know really well. Thank goodness she came and helped. I feel so much better about opening in less than 6 days!

But that's not really what this post is about and I apologize for rambling (sort of).

Because I really want to talk about finally seeing Guillermo del Toro's Kaiju V. Giant Robots movie, Pacific Rim. I must say, I think del Toro was given short-shrift hen it came to reviews of yet another visually stunning movie from the genius who has given us Pan's Labyrinth The Devil's Backbone  and the Hellboy movies. And while del Toro always tries to make his films be about more than amazing visuals, when it comes to the Kaiju genre, there really isn't a lot of room for compelling characters, though co-writers del Toro and Travis Beacham (Clash of the Titans) do their best. The very fine Charlie Hunnam ("The Sons of Anarchy") leads a cast which includes Idris Elba (using his own accent, which only makes him sexier); Charlie Day ("It's Always Sunny in Philadephia"); "Torchwood" alum Burn Gorman and del Toro (and genre) favorite Ron Perlman in a very funny cameo as a dealer of exotic Kaiju parts. Amongst the explosions and destruction, there are plenty of moments that illicit the requisite relief laughter and moments of heroic sacrifice. You really can't ask for more from a Kaiju movie, and those who love the genre will totally get it.. *** (Three out of Four Stars)

Growing up in the 60's and 70's, there was plenty of Kaiju (though I didn't learn that word until much later) on TV. Toho Studio's "Godzilla" movies and their many spin-offs were regular Saturday afternoon fare on UHF channels (if you know what UHF was, you're probably as ancient as Uncle P) and after-school programming always included Tsuburaya Productions' TV show, "Ultraman." A benevolent alien pursues a monster to Earth, accidentally colliding with Science Patrol Officer Hiyata. Fusing with Hiyata, Ultraman is evoked using the Beta Capsule (which resembled a red, glowing vibrator, if memory serves) and Hiyata is transformed into a gigantic, Kaiju-killing machine:

For del Toro, Kaiju is obviously an extension of his desire to adapt H.P. Lovecraft's "At the Mountains of Madness." I do hope a studio finally realizes that it would have to be a hard R, and would still make tons of money. Have they forgotten The Exorcist and The Silence of the Lambs? Both iconic films and iconic Horror,

More, anon.
Prospero

TV Review "The Strain"

Director Guillermo del Toro and writer Chuck Hogan came up with their own twist on vampire mythology in their trilogy of novels "The Strain," "The Fall" and "The Night Eternal." The first novel pays homage to Bram Stoker's "Dracula," substituting a plane for ship Demeter, but later delves into epidemiology; the logistics of plague and the spread of disease using one of horror's oldest tropes, the vampire. The cable channel FX has developed the trilogy into a TV series, with Del Toro and Hogan at them helm, assuring audiences that the series will be at least as good as (if not better) than their novels.

Hottie Cory Stoll ("House of Cards;" The Normal Heart) is CDC doctor Ephraim Goodweather, who is brought in when a plane from Austria arrives at JFK "dead." All equipment is off, all the lights are out and all but one window shade is closed. Of the 210 people aboard, only four are alive, though by the end of the first episode, it is clear that none of them are 'dead.' Eph is also in the midst of a custody case over his young son, Zach, which serves as both a distraction from his work and a stress-factor in life. Meanwhile, aged pawn-shop owner Abraham Setrakian (Harry Potter's Argus Filch, AKA, David Bradley) knows that an old enemy has come to America and is determined to stop him, at any cost,

Drawing on classical vampire mythology. "The Strain" adds virology to the mix, adding an intriguing (and often disgusting) element to the genre. Del Toro has directed the first three episodes and written (along with Hogan and others) the first 7, staying close (so far) to novels' plot, while adding and/or subtracting for TV audiences. The cast, which includes Sean Astin; Kevin Durand ("Lost's" Keamy) and several other TV vets, seems well up to the task at hand. And the effects are downright disturbing. Blood-sucking worms and supernormally fast & strong creatures are abundant, while subtler motifs ("Papa. I am so cold") abound. Two episodes in and I am totally hooked. Hopefully, the series will not totally rely on all three of the novels, the second and third of which left much to be desired. So far, though, the series is excellent! ***1/2 (Three and a Half Stars Out of Four).

Happy watching!

More, anon,
Prospero

TV Review: The Best of 2014 So Far

NBC's "Hannibal"

Some TV is so, so very good these days, especially for genre fans. And while I'm sad to see my beloved "Warehouse 13" come to a close (I was sadder about "Fringe," to be honest), I am happy to report that the envelope continues to be pushed by both brave network programmers and smart basic-cable presidents. The success of the most popular cable program of all time (do I need to spell it out?) on AMC seems to have inspired the competition.

NBC airs both it's best genre shows on Friday, traditionally a dumping ground for shows on the bubble. Still, "Grimm" and "Hannibal" are both fascinating and well-produced, which has made them "Must See TV," while holding their own in the ratings. The humor in "Grimm" makes it fun, while the exceptional art direction; bizarre, hallucinogenic dreams and the amazing cast of "Hannibal" make it so hypnotic. 

The picture above was found by a Facebook friend; a graphic artist who primarily creates Sci-Fi & Fantasy art for any number of clients. It is a picture of a meal Lecter made in season one. Click on it to make it bigger and really look at it. Do you see it? Top center of the plate, among the garnishes. Yes, that's a bird's skull. And don't the cheese and fruit slices look like a body with feathery greens for wings and pea pod legs? Oh, to be a food stylist on that crew! Now I have to go back and just look at pictures of the food. As they say, the devil's in the details. With just a few more episodes left of each show this season, I'm glad so many summer shows are coming back. Not to mention this Sunday's premiere of "Penny Dreadful."

This week also saw the season finale of A&E's "Bates Motel," and what a finale it was! SPOILERS AHEAD Now that the prolonged pot-wars plot of the modern reboot seems to have finally (albeit quite conveniently) played out, it looks like we can finally focus on Norman and his particular psychosis... Vera Farmiga continues to give television's best performance (sorry Jessica) and the amazing young Freddy Highmore matches her note-for-note. The final shot of the finale literally sent chills down my spine as we finally met the Norman Bates we've all come to know and love. 

Truth be told, the best show on TV right now is also the best new show, FX's astonishing "Fargo." I know I've already reviewed it, but four episodes in and it just gets better and better. Showrunner and writer Noah Hawley ("Bones") says that the Coen Brothers are hands-off, but you can tell everyone involved is all about making a show the Coens would make. Set in the same universe as the 1996 film, until this week's episode, it was only marginally connected. SPOILERS AHEAD The episode started with a flashback to young Stavros Milos moving his family to Minnesota out of desperation. After running out gas in the middle of nowhere and being nearly run over by an 18-wheeler, Stavros prays to God for help and promises to serve Him all his life. When he looks up, he sees a red snow scraper in snow along the fence in front of him. He begins to dig and finds... the money buried by Carl (Steve Buscemi) in the movie. As in the film, the cast of "Fargo" is incredible. Billy Bob Thornton is both terrifying and hilarious while Martin Freeman ("Sherlock;" The Hobbit) is astonishing as the poor schmuck who becomes a most unlikely villain. Alison Tolman ("Sordid Lives") gives a star-making turn as a frustrated young deputy thwarted by an incompetent chief (Bob Odenkirk) at every step. Colin Hanks; Kate Walsh; Adam Goldberg and Oliver Platt all lend stellar performances in this quirky, creepy, violent and exceptionally funny show.

 

Next up: The Worst TV of 2014 So Far.

More, anon.
Prospero

TV Review "Salem"

Sometime in the Mid-1980's, Uncle P appeared as Judge Danforth in a rather excellent (if I say so myself) production of Arthur Miller's 1953 play The Crucible. While based on real historical events, Miller's play was actually a condemnation of Senator Joe McCarthy's attempt to paint all artists, gays and liberals as Communists. And undoubtedly, a small demographic of them, were. 

Flash forward 71 years. Cable network WGNAmerica has taken the true story of one of early America's darkest bits of history and turned it into an intriguing genre show which posits that witches were/are real and that 17th Century Salem was a hotbed of their satanic activities. Spoilers ahead.

Seething hottie Shane West ("Nikita;" "ER") is John Alden, in love with the beautiful Mary (Janet Montgomery). When the sadistic Magistrate George Sibley sends Alden off to fight in the French/Indian war, he leaves behind a pregnant Mary who asks her servant Tituba to relieve her of her condition. Seven years pass and when Alden returns to Salem (after having been declared dead), he finds his love married to Sibley and the town in the grip of witch fever. Alden's childhood contemporary Cotton Mather (beautiful "Fringe" alum Seth Gabel) is leading the war against the witches, using young Mercy Lewis to point out the witches who supposedly torment her.

While I could find no credit for the series' creator, I must commend the writers for doing their research and incorporating historical figures from the well-documented Salem Witch Trials into their tale. John Alden; Cotton Mather; Mercy Lewis; Reverend John Hale; Tituba and Giles Corey ('pressed" to death by a pile of stones) were all real people who took part in the trials, either as judges, accusers or the accused. Of course, in this fictional version of events, the witches (now led by Mary Sibley) use their powers to deflect suspicion onto other members of the community. In this version Alden is the skeptic, intent on proving the superstitious townsfolk are wrong, even after he's seen evidence to the contrary while still in love with the now evil Mary Sibley (who houses her familiar toad in her supposedly infirm husband's gut).

 

In real life, the Salem Witch Trials had more to do with land-grabs and power-plays than the supernatural. In the WGN version, the opposite holds true. While I found the series' writing to be clever and original, I was a bit put-off by the acting which seemed rather stilted in deference to the period depicted.  It seemed to me that most of the actors gave over to style, rather than truth, despite the mostly excellent production values and special effects. Still, I can't complain about the entertainment value the show provided and must imagine that those not fully familiar with the actual history will be engaged on a very different level than myself. 

Personally, I am looking forward to seeing where the series goes. *** (Three Out of Four Stars)

This is one new Summer series I'll be watching. If your cable provider has WGN (unlike several of my friends and family members), I recommend "Salem" for nothing else than it's high entertainment value.

More anon,
Prospero

The Five Season Rule

Joanne Kelly and Eddie McClintock

This week marked the start of the fifth and final season of my favorite goofy Steampunk/Occult/Sci-Fi TV show  "Warehouse 13." The SyFy channel (I still hate that stupid name - what is it with me and names, lately? - again, I digress) seems to have a pattern of dumping some it's best shows after 5 seasons. "Eureka" was another sweet and goofy Sci-Fi show, while "Battlestar Galactica" spent a scant four seasons over 6 years. 

A fan since the very first episode, Uncle P is truly going to miss "Warehouse 13," though from what I'm guessing so far, it should have a satisfying ending. Yes, it's full of Steampunk gadgets (something they finally acknowledged in last night's season premiere) and a pseudo-science/occult vibe that makes total sense, given the confines of the universe established by the writers (Yes, K - "Within the parameters of it's own reality." Doesn't sound so crazy now, does it? -- Oops. Digressing again). Cool toys, one-liners and obscure but often hilarious historical and or literature references (and self-references) aside, it's the rather extraordinary cast and their chemistry that make "Warehouse 13" such a delight to watch. Brilliant veteran character actors Saul Rubinek and CCH Pounder are joined by Joanne Kelly; Eddie McClintock (who some call 'the poor man's David Boreanaz, though truth be told, I'll take Eddie over David any day...); Allison Scagliotti ("One Tree Hill") and Aaron Ashmore ("Veronica Mars") in a group that has become an oddly functional family is a very dysfunctional universe. 

More than anything, it's rather amazing chemistry between McClintock and Kelly that make the show so very watchable, as evidenced by the episode in which an 'artifact' (if you watch, you know) causes the unlikely partners to switch bodies in an episode which managed to skewer several genre tropes in one fell swoop:

Kelly's 'sexy, smart gal' is the perfect compliment to McClintock's 'sexy doofus.' Together, they provide the show with the perfect combination of romantic/sexual tension and buddy-cop camaraderie. Add Scagliotti's father/daughter relationship with Rubinek to her GBFF relationship with Ashmore and you have quite an interesting group of characters exploring all kinds of relationships amidst the quirky premise. TV doesn't get much more fun than this, kids.

The season premiere picked up right where last season's cliff-hanger left off with a time-travel, continuum-altering plot that was hardly original but very amusingly pulled off, saving the Warehouse once again from someone who wanted to use it's secrets for nefarious means. While there is never any doubt that our intrepid heroes will find a way to save the day, the fun is in watching how they do it. I must imagine it's lots of fun on the set of "Warehouse 13." I will be sad to see it go, but will never deny the pleasure it;s brought me. This is hardly Asimov or Heinlein. But it's always entertaining.

Only 6 episodes? Dang. Way to disappoint, SyFy. Hope we get at least another full 13 episode season of "Haven." Genre Geek rant over (for now).

More, anon.
Prospero

TV Review: "The Walking Dead" Season 4

Where's Beth?

WARNING: SPOILERS AHEAD! If you're not caught up, don't read this post.

Among my many friends, family members and coworkers who are fans of AMC's "The Walking Dead," the consensus seems to be that Season 4 has been the best since Season 1 and I must say that I whole-heartedly agree. 

Season 2 was a slow (albeit necessary) build to an astonishing finale, establishing plenty of relationships between the many characters and culminating in a rather distressing end, sending it's survivors back into the wilderness and giving us the first glimpse of the comics' fan-fave character, Michonne. Season 3 was spent exploring the haunted-house horrors of the prison; the seeming banal horrors of Woodbury and introducing the Governor, who (as evil and twisted as he was) is probably one of the lessor villains in the comics. 

Season 4 started out with a glimpse into what the Governor went through after Woodbury was lost; how Rick and Carl redeemed their humanity and the battle against a viral infection that both decimated the prison population and resulted in Carol being expelled by Rick. The mid-season finale was nothing less than devastating. Hershel was killed by the Governor/Phillip/Brian and the prison overrun with Walkers. Rick's group was separated and scattered and it was anyone's guess as to when and if they might reunite. Then came the amazing 'Back 8,' in which our heroes and heroines spent time trying to find one-another, resulting in some amazing character and relationship developments. Rick first encounters the 'Claimers;' Carl and Michonne bond; Daryl and Beth bond; Carol and Tyreese bond and Glenn meets Abraham and Eugene. As events played out, Carol discovers that young Lizzie has lost her mind (ending in a rather devastating episode); Beth is kidnapped by an unknown assailant (who I am guessing is The Reverend - a character from the comics we have yet to meet); and all of the survivors are drawn to Terminus, a place found only in the video game.

Personally, I can't imagine a more satisfying season. Back-stories told; conflicts resolved (while new ones arose) and the creepiest place we've seen since Rick first awoke in the hospital all led up to the best season of "The Walking Dead" yet. There were some of the series' best performances by the exceptionally talented cast, combined with some awesome special effects; intense Walker kills (Michonne and the Walker on the post); lots back-stories the fans needed to see and several of the show's best cliff-hangers yet. Trapped in a railroad boxcar in the VERY creepy Terminus (Mary!), Rick has once again found the warrior within ("They screwed with the wrong people!"). And don't even get me started on the neck-biting and attempted child-rape in the finale.

Waiting six months to find out what happens next is anguishing, but understandable. Shooting on Season 5 is scheduled to start later this month. October seems so far away. At least the summer promises the return of  "Falling Skies" and the final season of "Warehouse 13"  for genre addicts like Uncle P... 

***1/2 (Three and a Half Stars Out of Four).




If you're half the fan of this show as Uncle P and his sister, you are chomping at the bit for Season 5!

More, anon,
Prospero

"Penny Dreadful" is NOT a Drag Queen

Photo via EW.com

I guess I lied. Or rather, changed my mind. I'll talk about upcoming Sci-Fi movies soon, though. I promise.

And I while know I have talked a little bit about "Penny Dreadful," a new trailer has recently been released, distracting me once again with it's style and tone and very interesting (if not exactly original) concept, as well as a rather fascinating cast.

A little background...

In 1999, graphic novelist Alan Moore ("Watchmen") created "The League of Extraordinary Gentlemen," in which several Victorian-era literary characters (Mina Harker, Captain Nemo, Alan Quatermain and others) work together for British Intelligence to 'Protect the Empire.' The series was turned into an infamously terrible movie with Sean Connery, Stuart Townsend and Shane West.

Building on that concept, while adding a decidedly dark supernatural element, Showtime's up-coming series "Penny Dreadful" takes that central premise and goes "American Horror Story" on it. Josh Hartnett (wasn't he supposed to be a 'Next Big Thing' once upon a time?); former James Bond Timothy Dalton; Eva Green and Broadway's Spider-Man, Reeve Carney head up the cast of this creepy, spooky, sexy series created by John Logan (screenwriter of Skyfall; Hugo and Gladiator).

My current favorite cable drama, "Shameless," is also on Showtime and will end it's (exceptionally gut-wrenching and hilarious) season soon. I can only imagine how much I'm going to love their steroid-infused version of TLEG via AHS.




I'm very pleased to see genre TV having such a renaissance. 

More, anon.
Prospero

Genre TV Will Never Go Away

Karl Urban and Michael Ealy in "Almost Human"

POST UNDER RECONSTRUCTION

Yes, that's right. I had a perfectly wonderful post that I loved all ready to go about this very topic and then my clumsy sausage fingers grazed the wrong keys and it was gone... So I am working on an even better version of it. Hang tight.

TV Review: "Marvel's Agents of S.H.I.E.L.D."

Marvel, in their quest to dominate the superhero genre in all media, has launched the most anticipated new show of the season. ABC's "MAoS" is the second brand new show of the season and the second to become permanently scheduled on my DVR. Created by Joss Whedon (Marvel's The Avengers; "Buffy the Vampire Slayer") and directly tied to Marvel's ever-increasing role in popular culture and entertainment, "MAoS" may well do what "Heroes" and "No Ordinary Family" failed to do. If you haven't seen it, there are spoilers ahead.

As I am sure everyone expected and was delighted to find, "MAoS" was slick, smart, action-packed and an awful lot of fun. Having the most fun of all is Clark Gregg as Agent Coulson (and the only permanent cross-over character from the previous films). But... wait... didn't agent Coulson die in The Avengers? Well... Coulson explains that Nick Fury faked his death to rally the Avengers into a team. Coulson recovered from his wounds at a spa in Tahiti. Of course we find out... well, Coulson is either a clone with a memory implant or Coulson, actually raised from the dead. I'm guessing we won't find out this season. Cobie Smulders crossed over for the pilot, as well, recreating her role as Maria Hill. The rest of the team is made up of Agent Grant Ward (ridiculously handsome Brett Dalton - those names seem somehow easily interchangeable); Agent Melinda May (Ming-Na Wen); physicist Leo Fitz and biologist Jemma Simmons (Iain De Caestecker & Elizabeth Henstridge) are known collectively as "Fitzsimmons" while hacker/conspiracy blogger Skye (Chloe Bennet) who has skills they need.

Just about everything in the pilot, from the writing, casting, direction and special effects were simply top-notch. And they set a perfect mythology/mystery in motion with the need to find and stop the person and/or persons behind "Project Centipede," which (if the writers are smart) should be a recurring theme among stand-alone episodes, rather than the season's whole focus. But who the heck am I to tell Joss Whedon and company how to write their show, anyway?  Anyway, if you didn't watch it, you should. Geeky fanboy fun for the whole family. **** (Four Out of Four Stars)

Oh, and by the way... I want Lola!

More, anon.
Prospero

Hope These Are Worth the Wait

Jonathan Rhys Meyers

I've already been surprised by the first new show of the season and have hope for quite a few others. I don't honestly have much to say about most of the new comedies coming up. "The Goldbergs" looks dreadful; "Dads" (oh, Seth... I'm not mad. I'm... disappointed...) and "The Millers" look even worse (poor Wil Arnet! He so deserves another good show...). Other comedies I'll likely avoid include "Super Fun Night;" "We Are Men;" "Welcome to the Family" (sorry Mary McCormack. I love you, but not enough  to sit through that) and "Enlisted." And I'll at least give "Trophy Wife;" "The Michael J. Fox Show;" "Brooklyn Nine Nine" and "Sean Saves the World" one or two episodes before deciding to continue, though I have very low expectations for all of them (and hope I'm wrong).

There are two new comedies that have caught my eye and hope won't suck. "Mom" features two amazing and talented favorites (Anna Farris and Alison Janey) as mother and daughter, both dealing with addiction recovery. Looks like the dark, hilarious kind of show I love. Which means it's got two seasons, tops. "The Crazy Ones" brings Robin Williams back to sitcom TV for the first time since "Mork and Mindy" and pairs him with Buffy as his daughter and partner in an advertising agency. I want to like it... I hope Williams is able to rein it in and let his costars have their moments. Plus, adorable James Wolk co-stars!

Among the new dramas, I won't bother with "Betrayal" or "Ironside," despite Blair Underwood being in it. The "Hawaii Five-Oh" reboot lightning isn't likely to strike a second time. Though I am looking forward to James Spader in "The Black List" and Dylan McDermott and Toni Collette (!!!!) in "Hostages," though with McDermott sadly less naked than he was in "American Horror Story."And I've already set the DVR for the pilot of "Lucky 7," a show about lottery winners that will either be brilliant or horribly cheesy or (if we're very lucky), both.

Of course, being the weirdo I am, Uncle P is most looking forward to the genre shows. I'm most likely to not bother seeing "Almost Human;" "The Originals" and "Witches of Eastend," But I will most certainly be adding ABC's "Marvel's Agents of S.H.I.E.L.D." - henceforth known on the Revenge as "MAoS" - to my DVR schedule with every hope that Joss Whedon can get enough cross-over appearances from the Marvel movies to make it all work. NBC adds a new title to their growing genre library just before Halloween. "Dracula," starring Jonathan Rhys Meyers looks like a very smart Steampunk-inspired adaptation of Stoker's characters. If it's as clever,cool and sexy as it looks, why not add another take on the archetype. And the CW joins the Mutant/Superhero sub-genre with "The Tomorrow People" which could be fun, if it's done as smartly as Chronicle and the first season of "Heroes."

So, what new shows are you looking forward to seeing? I'd love to know.

More, anon.
Prospero

I. Can't. Wait.

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FOX's "Sleepy Hollow" was a happy surprise for both myself and many people I know, and while I am looking forward to several other new shows this season there are a few returning favorites that have me absolutely chomping at the bit to see. 

First up is Ryan Murphy's amazingly-creative-and-creepy television experiment's third season which starts on October 9th. "American Horror Story: Coven." is set in both contemporary New Orleans and Historical Salem, exploring yet another Horror trope with what looks like another season of amazing; puzzling; creepy; original and arresting visuals, story lines, characters and performances from a cast that makes me just a little more excited than a man my age should ever get over a TV show. Returning are the astonishing Jessica Lange; Lily Rabe; Francis Conroy; Taissa Farmiga; Sarah Paulson and Evan Peters. And joining them are some powerhouse talents: Angela Bassett; Kathy Bates (!!); Christine Ebersole (!!) Emma Roberts; Danny Houston (!!) and Pattie effng Lupone (!!!!!). Add a war between Good & Evil Witches to the potential for exponential insanity and you have yourself what has so far been one of the best and most provocative genre series, ever.

Here are all seven Season 3 teasers:



And the first Season 3 promo with dialog, "School:"

And I don't think I need to say how much I am anticipating the Season Four premiere of AMC's "The Walking Dead" (the producers of which just announced a spin-off - oh, excuse me: "Companion" series - for 2014). While I will happily admit that Season Three was better than Season Two, neither was as good as the amazing Season One.It seems like the producers are listening to the fans and upped the ante this season. My mother is actually antsy for it's return.

NBC's dark-humored fantasy "Grimm" ended with our beautiful intrepid hero zombified while in the clutches of a voodoo priest. A co-worker whom I truly adore watches because her husband watches and calls it "The Grimm." It's another show Mom surprisingly loves - and I love that she's finally come to appreciate quality genre works. She was a huge "Fringe" and "Lost" fan and I'm so glad she's expanded her horizons. We know Nick is going to escape and recover from whatever Baron Samedi has done to him, but that's hardly the point. It's clever and campy and imaginative with a terrific ensemble cast and usually well-executed (and often hilarious) CGI transformation FX. But like any good show, story is king and the mythology is both well-constructed and unfolding in a way that makes complete sense. But most importantly, "Grimm" never takes itself too seriously, which helps to make it both endearing and interesting.

Outside of Genre shows, I am also looking forward to the return of CBS's Law and Politics drama, "The Good Wife." Another dream cast of exceptionally talented actors and a brilliant writing team make "The Good Wife" so worth DVR'ing. 

There are a few others I'm looking forward to seeing return and at least one or three I don't understand why they are returning at all. There are also lots of new shows this season that I'll write about the next time I write about TV (which will probably be soon).

In the meantime, what shows are you excited to see returning this fall?

More, anon.

Prospero

TV Review: "Sleepy Hollow"

Tom Mison and Nicole Beharie

Since AMC's phenomenal success with "The Walking Dead," genre shows seem to be all the rage of late. FOX is the first to debut a new show this season with Alex Kurtzman's and Roberto Orci's (both of "Lost" and Star Trek) "Sleepy Hollow," a modern take on Washington Irving's 18th century ghost story. Last visited by Tim Burton in his 1999 film of the same name, this new version takes a decidedly demonic approach to the tale, adding witchcraft and the Book of Revelations to the mix in what may well be the best new genre series since NBC's "Grimm."

In this version, Ichabod Crane (Tom Mison) is a British defector during the American Revolution. While fighting a mysterious masked mercenary, Crane is mortally wounded, but not before be-heading the mercenary. The two are bound by blood and Crane suddenly finds himself resurrected in 2013, confounded by modern technology and thought to be insane by the local authorities. Meanwhile, Sheriff August Corbin (genre regular Clancy Brown) and his partner, Lt. Abbie Mills (Nicole Beharie) are dispatched to investigate a disturbance at a local horse farm. Mills is scheduled to leave Sleepy Hollow to attend FBI training at Quantico in two weeks, but after Corbin is killed by an apparently headless monster, she decides to join up with Crane, despite her misgivings.

While the premise may seem outlandish, the pilot's execution was loaded with action, mystery and lots of fun. Mills, who has had her own brush with the supernatural as a child, is sympathetic towards Crane's plight and despite orders from Police Captain Frank Irving (Orlando Jones), takes Crane at his word and helps him escape from the asylum to which he's been assigned in an effort to solve the mystery of her partner's death. Of course, this is only after she discovers Corbin's secret files on witchcraft. When her friend Andy Dunn (Star Trek alum John Cho in one-off cameo) gives into the Horseman's demands to find his missing head, she is convinced that Crane is telling the truth and decides to help him fight the evil forces which have returned after 250 years.

The pilot, directed by Underworld director Len Wiseman, is a terrific combination of exposition and and action, setting up a series with plenty of potential. The chemistry between Mison and Beharie is surprisingly good and the supporting cast all hold their own, especially Jones in what I believe to be his first non-comedic role. "Sleepy Hollow" may play fast and loose with actual history (no one was ever burned at the stake for witchcraft in U.S. - that was a strictly German phenomenon in the 17th Century), the writers have obviously done just enough research (George Washington was indeed a land surveyor) to make it plausible. The writers also play fast and loose with their source material, but Irving is long dead and the property is well within the public domain, making it fair game for reinterpretation. Loaded with plenty of relatively bloodless violence and supernatural tomfoolery, "Sleepy Hollow" manages to be lots of fun to watch. And what more can one ask from a genre series?

I thoroughly enjoyed the "Sleepy Hollow" pilot and look forward to where they will take this tale of two unlikely partners and their fight to stop the impending Apocalypse. *** (Three Out of Four Stars).

More, anon.
Prospero