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| Escape from Tomorrow |
From the Happy Mutants over at BoingBoing comes this review of a film which premiered at Sundance this weekend. Escape from Tomorrow tells the story of a man who, on the last day of his family vacation in Orlando, learns he has lost his job. As the film progresses, the man slowly loses his grip on reality, eventually creating a surreal and nightmarish descent into madness. Of course, the extraordinary thing is that the film was apparently shot without the knowledge or cooperation of the Disney corporation, which has been known to sue daycare centers for copyright infringements and asking Santa to leave their parks. Film critic Drew McWeeny says "It is impossible this film exists... And yet, not only does it exist; but it's fascinating."
Long-time readers know that Uncle P's sister is a self-described "Disney Dork." In fact, last weekend she and the BIL went on their second Disney cruise. And while I personally prefer Universal Studios, I must admit that I have been to Disneyworld at least five times. Which makes Escape from Tomorrow all that much more fascinating to me.
Personal friends know that I adore off-the-wall, experimental and outright bizarre film experiences. Movies like Richard Elfman's Forbidden Zone; David Lynch's Eraserhead; Quentin Dupieux's Rubber; Terry Gilliam's Brazil; David Cronenberg's Naked Lunch and Guy Maddin's The Saddest Music in the the World are very much why I love film so much. They make me feel like I'm not alone in my personally skewed vision of life.
Here's a clip from Escape from Tomorrow, featuring daddy-bear star Roy Abramsohn dealing with his obsession with two French teenagers at a Disney resort pool:
I don't know how director Randy Moore pulled off this film, though I am amazed and excited that he did. McWeeny supposes the movie will never find a distributor and will eventually fall into obscurity, thanks to Disney's phalanx of lawyers. Still, I think that I must see Escape from Tomorrow, if only to satisfy my curiosity and add it to my list of outsider films I've loved or hated.
Trust me, I don't get it anymore than you.
More, anon.
Prospero
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